Elisa Gabbert
SPRING
I wake up in questionable light.
The blurry walk to the train,
the facts seem undefined.
Temperature is what thermometers
measure, nothing more
understood. Rat birds in the subway,
excellent buskers. One thinks,
Dark days. I read on a blog that
whatever it is you’re not questioning
is probably the problem. The problem
with being smarter than I was
as a kid is the lack
of improvement, a blanket
sameness. One thinks, Malice—
or somebody says it.
Radioactive decay.
TWO DREAMS
Beginning with a line from Verlaine
An ancient terra cotta faun
laughs on the green,
or a chipped ceramic deer
smirks on the lawn.
I can shift it back and forth.
We’re on a spring-day stroll;
we will the world springy.
Running up the hill
in his dream, John said:
I’m turning into a gazelle,
then did. You’re making this up,
I say. He seems proud of
his transmogrification, still.
Per usual, I was me:
my car veered toward the edge
of the half-built highway
trying to form a bridge
o’er a bleak western scene—
the older I get,
the more I see the seams
of the conspiracy.
The pond’s all water
again, and the geese
are blasé, they accept this
as the new normal.
What happened next.
The hillside went swampy,
he felt doubt and regret.
If I don’t wake up before
I fly off the ledge,
it just stops being scary,
like I’m watching a movie.
