2 new poems
WHEN YOU’RE NOT LOOKING EVERYONE IS DANCING
In an early American silent movie,
There’s a paddlewheeler huffing down the Mississippi River.
There are black people and white people,
And when the white people are on-deck
They’re sight-seeing, the women whisperer under parasols,
The men tip their tall, beaver hats, looking as though
They’re always about to start a business deal.
A black man shines a pair of boots, a black woman
Runs clothes up and down
A tin washboard, a black man with a cane pole daps his bait.
But when the white people go off-screen
To wherever white people go
The black people right away start dancing.
A cake-walk, syncopated, with a pail of water
Balanced on their heads, and some sort of jig-for-two, dresses flaring.
A solo tap dance on a wooden crate, and all around them
The little shoeless kids
Clap to the rhythms of bone-clappers and a kazoo,
Swirl of river mist
Ghosting around the bodies.
It was beautiful, and ridiculous,
And racist, of course, but when
I came out of the theater onto the busy city street,
I shut my eyes tight.
I started walking. Immediately came that sound,
The quick advantage of feet. I could tell
What was going on. I’d seen
The movie. I knew that the Asians in the crowd
Were doing the dragon-dance, salsa for Latinos, Ghost-Dance,
Hip-hop, hora, tango, waltz.
Stuff was happening all around me.
I began to feel my white feet, white knees and hips
Adjusting to the beat,
Shifting and swaying to chit-chat and honk-honk,
Clothing whispers, boot thuds and stiletto clicks.
A cell-phone was playing “The Star-Spangled-Banner.”
I heard Bye, Mom. I love you
And This time be on time.
Way up ahead a man was singing
Hey brother, can you spare a dime?
I was so into it I forgot the trick,
The necessary artifice and stratagem.
I opened my eyes,
And sure enough the white people had come back
From wherever they went
And we were a moving crowd again, diverse
As any American city these days, and alone
With our thoughts, a very
Ordinary crowd but quite remarkable
When I began to pay attention,
And have paid attention since,
Trudge-dance, and high-heel-wobble
And gawky-as-a-turkey dance,
Briefcase-swing and mop-and-bucket dance and
Where’s-my-Daddy and
What’s-for-supper-honey dance.
If you were standing at your window looking down,
You might have said,
Hey, Mama, look,
Even the white people are dancing today .
REUNIONS
“I was fourteen at the time,” she said. It must have been summer
Because the light through the tall windows came at her
Like a swarm of bees. She wanted
To take off the lid of her skull, like a hat,
But it wouldn’t come loose.
“So I took off all my clothes in the big parlor.
Beethoven’s Ninth was on the radio – I didn’t even know
Such music existed.” The last movement, that ecstasy
The composer must have known was not in the service of God,
And because she couldn’t dance to it
Except in a kid’s goofy imitation of ballet,
Something like her spirit floated right out of her skin.
Light pushed her this way and that.
She felt like the ocean must feel in a storm. How that teenager
Must have felt when the big swan entered her
And brought her something like bliss
And something like a horror of a future just like this moment,
But going on and going on and on.
Some people can’t help it. We want some proof.
We come home to see the layers of the past,
Like the archeology of Jerusalem, open for everyone to see.
The trees cut down and the earth gauged out.
The bones dragged to the surface and polished,
Then the earth smoothed over.
Across the street, the corner market
Is now a bodega, and in front, two young mothers
Who used to speak one foreign language and now speak another
Murmur over their baby carriages
And where used to be shade
Is now a warming circle of sunlight.
“When I go back to visit, I’m always outside looking in,
Through one of those huge windows, but the light feels cooler.
I’m seeing this girl, so confused by being fourteen
She’s given up her body and become limitless,
And though I’m thinking she’s nuts, I envy her
Because I’m always older.”
