Tyler Carter
about 12 Domestic Poems
These poems, for the most part, came from the mounds of automatic writing that accumulate in my notebooks. At the time they were written, I was living in Providence where I was attending one of those MFA programs, living on the East side, walking to school and back to my small Portuguese apartment that I shared with Adam Tobin, a poet and fellow participant in the program. After I left Providence, I spent some time back in Wisconsin and painted houses. As a result (of painting) I spent a lot of time in empty rooms, and during that time I began cutting these little chunks out of my notebook. My guide was a desire to end them when they were just about to begin.
from 12 Domestic Poems
Window
Because everything is right here an ending is right here. I snap my
fingers and listen to the aftershock. I pick my head up to hear the sounds
of traffic. I don’t mean to be obvious but I stop for a second to think, and
air goes out the window. And I hear somebody driving by. There was an
idea to work through, to not stop until something happens.
Ashtray
Junkies fill with light, even if this light is bought. Even if we’re still
talking about inheritance, these sums do not account for the light around
my lips as I write this my focus disappears. A bell rings twice.
Phone Call
Memory is time. Going into your head is the physical manifestation of
time passing. To be out of time is to concentrate on the closest thing
available, the front of your head for example. Your attention is out of
time. Attention does not move.
Table
We got sick of sticking the brisket into grandma’s mouth and decided to
go for a walk. To the beach where they were pulling out “blues” by the
dozen and throwing them into tubbaware. It was casual and the old man
asked us if we wanted a fish. Instead we ate corn no mention of the light
house, the ice cream was good.
Kitchen
This is not the real story. We called cigarette smoke. And I drank last
night. And I hear somebody driving Friday. We talked about school
driving by. Walking hot and exploding woman went back outside, but it
is Adam, air goes out the window.
Desk
Walking I get wet but from the desk there is more than one afternoon. Sit
and observe. Try a trying. What is happening when you are late in a
chair? If you want, write more. Mind names, your hair, the expression on
the bed. It’s hard.
Photograph
Maybe the elephants are not really sleeping. Maybe the movie was too
long, too slow. Maybe we’ll talk longer, bend our elbows and our necks.
First the wrist and then the hand. Start with the closest thing and push
forward. If it floats away, don’t worry we’ll find it eventually. An easel.
A picture of a couple.
Mirror
We may construct different ideas of youthfulness; we may construct a
village we never grew up in, or grew apart from. I look forward to the
end of conception, where all is put back into use. Yards full of houses,
one thing into another. I shaved my head last night. Every night.
Phone Call
Memory is time. Going into your head is the physical manifestation of
time passing. To be out of time is to concentrate on the closest thing
available, the front of your head for example. Your attention is out of
time. Attention does not move.
Stove as Bedside Table
Right now, an iron box supports a lamp, a clock, a bowl half-full of
change, a flashlight, some pictures, and a few papers. The lamp is on
and the box is black. There is nothing burning, nor are there any plans to
burn. Clearly this box is not human though it can be moved. It suffers
from deep humility. It is full of ash.
Magazine
What is keeping us from inventing a new magazine? Not weather or
history but something to read in the kitchen or on a couch waiting for
guests. If you feel stressed call somebody. Don’t drink too much and
always be careful.
Calendar
Across the street sits a house decorated with holiday lights. In the room
sits a bed and one chair. The streets maintain dignity while the bathroom
creates a mist for the other fixtures (toasters, night stands) to enjoy.
“We’re thinking about splitting up.”
