Bob Marcacci
about Alphabliss or Non-Nursery Rhymes
I have always been fascinated with the English alphabet. One of the first poems I wrote, which simultaneously introduced me to the kind of playful fun I could have writing poetry, an important part of process, was a poem comprised of all of the letters of the alphabet in succession:
A boy can do everything.
Foraging, grasping,
Hungry inside.
Just knowing love
May now offer peace.
Quietly remembering
Sensations, thoughts,
Understanding voids.
Wishing xylophones,
Yet zealous.
The three poems presented below are part of a 26-poem series entitled Alphabliss or Non-Nursery Rhymes, which I had begun working on a couple years ago at the request of my friend William Perkins. I had shown him a poem I had written called two b doobie that i am, which was initially just a play on my first name, my nickname, and he suggested that I continue to tackle all of the remaining letters of the alphabet in such a manner. The project evolved into a long poem about myself, those things which shaped and continue to shape me, the faceted possibilities of language, and its playful persuasions. All of the poems rely heavily upon sound and rhythm to carry the reader through the different reinterpretations of the self.
S is for spake is significant in the collection if only because it introduces Whitman’s influence and explicitly identifies the major theme of the series. Not one of my most revered poets, but the idea of a song of myself, of singing the body electric, is perhaps the most important notion behind the entire collection. Whitman is obviously not the only influence. Many of the poems reference other artists and other artistic creations: film, song lyrics, nursery rhymes, etc., and work to build the argument against, on the surface, a redundant lexicon.
from Alphabliss or Non-Nursery Rhymes
S is for spake
& so he spoketh and poketh
songs of myselves
the snakes & snares
of so-called stratagems
snips & snails
this cup spilleth
a song of sixpence
Shakespearience
‘tis scattery
puppy dog tails
shiny-eyed estuaries of your simpering vision
visceral esoterica & Victorian spleen
doth in a runaway streamlet
ponder apples confess
whisper your last wishes & do the dishes
of invisible cess
‘twas the mess en masse before Christmas
& all through the souse
the essence of breakfast half eaten
Santa mass
s’up
an escape act with a cracked stimulation gradation
stumped mustard
releasing air & the fear of hissing
unconditionally forsooth
splatter in a post-pancake tirade
the same old same old
song-&-danceth
Tea
a drink with jam and bread
totaller and focal lotus
counting letters in time
shift tragic beat from metered
hopscotch to fox-trot
a terminal existence
testimony
teat with the queen of tarts
in trundleland
teething crumpets and seated
next to the mad-shatter
velvet tailspinster
not robert taylor
(although he thought he was invited)
he wasn’t delighted to attend
the afternoon theatrical tid-bits
titilant vittle
guaranteed to touch non-believers
U sage
last of the true vowels
ever-present companion to q
not cute unique
a pudgy letter
a horseshoe you dub
eunuch
in the underbelly future
bub
ugly duckling in UV light
phosphorescent unicorn
your university education
youth and uncouth
USA usurper and unusually
usury
unbridled rosary urgency
gurgle in the ukulele
ubiquity queue
dubbed
underworld hurler
used to unknown
surge
